Helmed by Portishead co-founder the musician-producer, this sharp-edged though slight first film turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to break into his own family home. In no time, he's upside down in the wreckage of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Duel
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher arrives, fuming after David kills his dog. Still, a grimly amusing duel takes hold – David desperate to escape; the Poacher denying his container of cider, intent on soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Promo-Inspired Sensibility
There is only one key story turn, but it results in a hilariously staged chaotic run on the woodland paths that veers toward folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now goes all out with the full lysergic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film releases in British and Irish theaters from November 17.
